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  • Cj82kn925?file=thumbnail
    Date: 1846-12-06
    Contributing Institution: Thomas More University Benedictine Library
    Description: Document in Latin with no English translation. Mendel’s profession of obedience to God, to Abbott Napp and the rule of life of the monastery, Dec. 6, 1846.
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  • M613nc68r?file=thumbnail
    Date: 1868-03-30
    Contributing Institution: Thomas More University Benedictine Library
    Description: Document in Latin with no English translation. A tabulation of the vote taken on March 30, 1868 for the new Abbott of St. Thomas Monastery, showing Mendel having won decisively.
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  • T435gs76m?file=thumbnail
    Date: 1884-01-07
    Contributing Institution: Thomas More University Benedictine Library
    Description: Document in Latin with no English translation. Notification of Mendel’s death from Bishop Bauer, Jan. 7, 1884.
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  • 79408b70d?file=thumbnail
    Date: 1884
    Contributing Institution: Thomas More University Benedictine Library
    Description: Document in Latin with no English translation. Allocution on Mendel by Bishop Bauer.
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  • Vq27zt76m?file=thumbnail
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Pope Alexander III treads on the neck of Emperor Frederick Barbarossa. A conversation takes place between them in Latin in which the Pope says: "Super aspidem & basiliscum ambulabis, & conculcabis leonem & draconem [You will walk over the asp and basilisk and trample underfoot the lion and the dragon]". (This statement is derived from Psalm 91:13.) A cartouche in the lower right gives Frederick’s response: "Non tibi, sed Petro [Not to you, but Peter]", and the Pope’s reply: “Et Mihi & Petro" [Both me and Peter]." Revised design of Luborsky and Ingram 11222/2 and 11223/2, which appear in all four of the early English editions (1563, 1570, 1576, and 1583). JPEG file (483 KB).
  • J3860d83n?file=thumbnail
    Creator: Sturt, John
    Contributing Institution: Southern Methodist University Bridwell Library and Ohio State University Libraries
    Description: Frontispiece portrait of John Foxe, engraved by John Sturt, contains the following text: frame above the portrait, "Aetat. 70 [at age 70];" immediately below, "John Walden Citizen of London. Tabula merito Votiva in perpetuam rei memoriam [John Walden, Citizen of London (gave) a votive monument in perpetual memory of the matter];" in the crest below the frame, "ALTIORA PETO [I seek higher things];" and the epigram at the bottom of the page, "Cujus in hac humili confusus imagine pendes, Et maciem hanc spectas pallidaq; [/abbrev. for: /pallidaque] ora senis: Edidit hunc Bostona parens: Oxonia nutrix Erudijt: Scripsit Martyres occubuit [The old man you are gazing at perplexed in this humble portrait And whose gaunt and pallid face you observe, Him mother Boston brought forth, wet nurse Oxford Educated. He wrote "Martyrs". He is dead.]." JPEG file (325 KB).
  • 4t64h2238?file=thumbnail
    Date: 1450~
    Contributing Institution: Mount Angel Abbey Library
    Description: The standard English style of illumination practiced during the fifteenth century is readily distinguishable from its counterparts on the continent. The surging, rhythmic leaf patterns, sharply pointed initials, and explosive vine ornament are as aggressive as the Gothic book hand of the text. The broad tones of pastel, the softly modeled, voluminous foliage, the spherical, lobed forms and golden discs are typical of English work from the 1440’s onward. The potential subtlety of this otherwise forceful style is apparent in the delicate rendering of a cleric’s head emerging from the soft leaf patterns of an initial painted in monochromatic tones of rose (45v). The first leaf done in a contemporary, though different, hand refers to King Henry VI (†1463), Henry VII (reigned 1485-1509), and the English “sweating sickness” that struck in the 1480’s. Furthermore, the calendar includes notations of deaths in the Paston, Berney, and Mumford families — one referring to the death of Margaret Paston whose will, according to an enclosed letter form the British Records Office, was written in 1482. Margaret’s husband John Paston was legal counsel to Henry VII. Hence the manuscript was likely in use by the last two decades of the century. A close association between the Pastons and Bromholm priory, Norfolk, suggests this as an early and possibly original provenance for the manuscript.
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  • 3b591p66z?file=thumbnail
    Date: 1475~
    Contributing Institution: Mount Angel Abbey Library
    Description: Documentation of this manuscript book exemplifies the difficulties encountered by a cataloguer in attempting to accurately describe a bound text. The cataloguer’s collation or description of the organization of the text block was: A6, B-D12, E6, F-H12, I-K8, L8(-1). When the book was disbound it was clear that the actual collation was: A8, B6, C-F8, G2, H4, I8, J-K6, L-M8, N8(-1), O6, P6(-1). However, neither collation is an accurate reflection of how the book was originally constructed. When a map was made of the vellum leaves, i.e. hair or grain sides and flesh sides, it became clear that the previous restoration lost the original order. Some of the leaves were probably broken free when the book was taken to the 19th century binder, and he apparently could not read Latin. He guarded pairs of leaves to make folios and commenced to sew the book back together. It was decided to replace the existing vellum guards, most of which had come loose, with goldbeater’s skin, but to leave the order of the leaves as they were. Consequently, the text block is in the order received and the original location of leaves 53, 60, 61, 89, 94, and 95 is unknown. Leaf 101, which is conjugate with leaf 97, is incorrectly numbered and should be leaf 100.
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  • 0p096n181?file=thumbnail
    Date: 1525~
    Contributing Institution: Mount Angel Abbey Library
    Description: This Book of Hours is illustrated in a style which is a successful blending of Italian and Northern influences. The miniatures are set in architectural frames and typical is the division of the picture-space into two sections by a descriptive scroll. The total number of illustrations, large and small, is 35.
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  • Zg64v112d?file=thumbnail
    Date: 1475~
    Contributing Institution: Mount Angel Abbey Library
    Description: Of the various centers of illumination in northern France during the late fifteenth century, Rouen was undoubtedly the most productive source for lavishly decorated Books of Hours. Large numbers of these manuscripts betray a homogeneous but elegant standard of production less inclined to originality than conspicuous display. The unrestrained use of mat gold paint, the introduction of stock donor portraits, and a rather precious figure style are typical features of the Rouen school. We can infer that division of labor within workshops was especially common by this time as a means of meeting the inflated demand for prayerbooks. Two sets of donor portraits appear in this manuscript, one included in the original stages of production — a young woman in prayer in the Pietà with a knight kneeling in the border (135r). Such figures are of a general, anonymous type and indicate a book offered for sale on the open market. The knight’s armor was modified to bear the insignia of the arms accompanying the second set of donors added shortly after. The second pair is located beneath the Annunciation (13r). Curiously, the Annunciation itself contains two additional figures (one crowned with a coronet) behind the Virgin and Gabriel. The implications of this odd variation in a standard subject are unclear.
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